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Hi! I'm Erica.

Issue #026: Zen in the Art of Fighting

Published about 1 year ago • 5 min read

Welcome to Issue #026 of Zen in the Art of Fighting

New to the newsletter? I'm glad you're here! Welcome! If you want to get caught up on previous editions, you can check out the archive here.

Standby subscribers! Thank you for being here and I hope you feel the love ahead of Valentine's Day. I'm grateful for your support and hope at least one thing in here makes you smile or makes you think. Ideally both.

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Five Things Worth Sharing

1. One Good Picture: Bruce Springsteen and the E Street Band (February 3, 2023 in Atlanta)

I've had the pleasure of seeing Springsteen live on three occasions: the first time at age 19, then age 25, then age 32. Each time I saw him punctuated a certain transformative season of my adult life, forcing me to think through my own (non-musical) narrative of "Growin' Up."

Back in July, I handed over to Ticketmaster an amount for a ticket that was proportional to my willingness to attend Bruce Springsteen's 2023 Tour. It was not cheap, but it was worth every penny to me. It was one of the best uses of my time and money in the last ten years.

Even if you don't like Springsteen, you have to appreciate that not very many performers can do what this man does. How many musicians can go 110% onstage for almost three hours, deliver multi-song encores, and give everything they have in the seemingly-endless tank to the screaming throng of fans? How many more can deliver a physically, emotionally, and mentally-engaging performance that rouses you out of your seat, stirs your spirit, makes you believe in humanity, and reminds you that you are here, now, that you are alive? How many more can do it at seventy-three years old, city after city and night after night?

I don't know how many more tours "The Boss" and The E Street Band have in the tank, but I feel very lucky to have seen him one more time on February 3. That night that has spawned at least three essay pitches and an addition to a book chapter, and is one I won't soon forget.

2. One Thing I'm Watching (aside from the Super Bowl): Sinatra: All or Nothing At All

I have an unsurprising soft spot for Sinatra—a Jersey Girl can't help but celebrate a Jersey Boy who became a massive success. "Rooting for the home team" aside, I mostly loved Sinatra because my father loved Sinatra. My dad was a cold man with a hot temper, and Sinatra was one of the few things that brought a gentle warmth out of the man.

I hadn't thought much of Sinatra in a while until reading Bret Easton Ellis' essay collection White, which I wrote about in the previous newsletter. In the essay "Post-Empire," Easton Ellis talks about Sinatra's career and the merit of the 2015 HBO documentary about him Sinatra: All or Nothing At All. In addition to loving the work of Alex Gibney, the following lines sold me on buying the documentary:

[Sinatra] was a self-made king and the first modern pop star...but Sinatra's story is really about pragmatism, defeat, loss, pain, and the romantic disappointment that (in the guise of Ava Gardner) nearly destroyed him, and about the way he turned these things, those feelings and that hurt, into art, deepening the songs he was simply performing (he didn't write any of them)...All or Nothing At All stays on its point that Sinatra was an artist, with pain and regret and loss informing his greatest work, and though he wasn't a songwriter, he rewrote the songs he sang with his phrasing and vocal inflection...

I didn't have much of a relationship of my own with Sinatra short of research I had done for an eighth-grade project (I embodied him for a Wax Museum) and the inherited love of Sinatra from my dad.

The documentary has given me a relationship with Sinatra as an adult that I didn't know I wanted or needed. His story as an artist is incredible. The story of the man behind the music is even more so. His life's experience is what really made the music.

3. One Thing I'm Reading: "Goodbye to All That" by Joan Didion

I don't know how I stumbled upon this essay, and why I was so late in stumbling upon it. It is a wonderful one by Joan Didion on her falling out of love with New York City:

In retrospect it seems to me that those days before I knew the names of all the bridges were happier than the ones that came later, but perhaps you will see that as we go along. Part of what I want to tell you is what it is like to be young in New York, how six months can become eight years with the deceptive ease of a film dissolve, for that is how those years appear to me now, in a long sequence of sentimental dissolves and old-fashioned trick shocks...
It would be a long while because, quite simply, I was in love with New York. I do not mean 'love' in any colloquial way, I mean that I was in love with the city, the way you love the first person who ever touches you and never love anyone quite that way again.

Swap in "T stops" for "bridges" and "Boston" for "New York" and there you have how I feel about having left the city I'd lived in for almost nine years.

One of most important questions I need to answer for a reader in my book is this: "Why was it so hard for me to leave Boston?" Didion's essay has given me the best (and best-written) answer to that question: it was so hard to leave Boston because Boston was my first love, and it remains hard to be away from Boston because no matter how much of a life I build elsewhere, nothing can fully take that first love's place.

4. One Thing I'm Listening To: Wright Thompson: Understanding the World Through Sports

In trying to figure out what I found so moving about watching Springsteen last weekend, listening to Sinatra's music in All or Nothing At All, and thinking about my life and times in Boston while reading Didion, a riff from my favorite sportswriter, Wright Thompson came to mind.

It's Thompson's answer to the interviewer's question of what makes a great restaurant:

The room. That it be a transporting experience. At a great restaurant, the dining room exists out of time...there's a communion....
Every time you are at a great restaurant--if they do that room right--every time you go there, you are having dinner with whoever you're with, and you're also having dinner with everyone you've ever had dinner with there. and also every version of you that's ever been there...a really great restaurant that does that is fabulous.
I'm after a place that I know will be there and I can use to mark time, because everything else changes but it doesn't.

I think what Thompson has to say applies to so much more than restaurants: certain foods, songs, places, or experiences put you "in communion" with versions of yourself the last time you were there and enjoying them.

5. Some Things I'm Writing

Most of my time the last two weeks have been spent

  • Writing emails for work communication (🫠)
  • Drafting pitches for essays I'd like to try placing in publications instead of just putting all the goods on Substack
  • Typing out my handwritten manuscript work into a Scrivener file.

Nothing from the above is particularly worth sharing or ready to share, but I hope to have a new thing or two on Substack in the coming week.

That's all I've got. If you've got ideas on what you'd be excited to read from me next (or any opinions on favorite Superbowl commercials), please reply back and let me know!

Until next time,

Erica

PS: Bookending the first item in this email: the one time I ever got a photo of Bruce Springsteen (October 2016), and the closest thing "I'll never wash this hand again" kind of moment.

Hi! I'm Erica.

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